True Colors (or, Affirmations in a Crisis) is a chronicle of survival by trailblazing artist Zora J Murff. Murff constructs a manual for coming to terms with the historic and contemporary realities of America's divisive structures of privilege and caste. Since leaving social work to pursue photography over a decade ago, Murff's work has consistently grappled with the complicit entanglement of the medium in the histories of spectacle, commodification, and race, often contextualizing his own photographs with found and appropriated images and commissioned texts. True Colors continues that work, expanding to address the act of remembering and the politics of self, which Murff identifies as "the duality of Black patriotism and the challenges of finding belonging in places not made for me-of creating an affirmation in a moment of crisis as I learn to remake myself in my own image." Nuanced, challenging, and inspiring, True Colors (or, Affirmations in a Crisis) is a must-have monograph by a rising and standout artist. True Colors is the result of the inaugural Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, with the generous support of 7G Foundation. An exhibition of the work will open at Baxter St in New York in November 2021.

Instruments of Planning: Tensions and Challenges for more Equitable and Sustainable Cities critically explores planning's instrumentality to deliver important social and environmental outcomes in neoliberal planning landscapes. Because each instrument is unique and may be tailored to its own jurisdictional needs, Instruments of Planning is a compendium of case studies from urban regions in Australia, Canada, the United States and Europe, providing readers with a collection that critically challenges the role and potential of planning instruments and instrumentality across a range of contexts. Instruments of Planning captures the political, institutional, and economic challenges that confront planning. It examines planning instruments designed to assist with strategic planning and implementation, and considers the role that technology plays in unpacking and understanding complexity in planning. Written by Rebecca Leshinsky and Crystal Legacy of RMIT University in Melbourne, Australia, this book fills the gap in planning theory about the instrumentality of planning in the neoliberal urban context. It is essential reading for students, urban researchers, policy analysts and planning practitioners.

Images of blackness have become important in our understanding of the modern world because they reflect and shape the way black people are perceived and represented. In Black Meme Legacy Russell explores the role of these images in the construction of black identity and visual culture, from the early days of film and photography to the digital age. The first ever film was a black jockey riding a horse in 1887. The very first screen kiss was between two black actors in Lime Kiln Day, 1913. Black Meme also explores lynching postcards that were common in the 1920s, the image of Emmot Till's body in the casket and Trayvon's hoodie, the grainy video of Rodney King and the gloss of Michael Jackson' Thriller, Diamond Reynolds's Facebook live recording of her boyfriend's killing by the police, and Beyonce's Formation. Legacy Russell, the award winning author of Glitch Feminism, explores the power of these tokens and argues that without the contributions of black people, digital culture would not exist in its current form.

Disruptive Urbanism examines how different forms and modes of the so called "sharing economy" are manifesting in cities and regions throughout the world, and how policy makers are responding to these disruptions. The emergence of the so called "sharing economy" and the "disruptive technologies" have profound implications for urban policy and governance. Initial expectations that "sharing" of homes, offices or vehicles could solve urban problems such as congestion or housing affordability have given way to concerns over job precarity, neighbourhood transformation, and the growing power of platforms in disrupting urban governance and regulation. Contributors to this volume canvas these issues, examining how the "sharing economy" is manifesting in urban areas, the implications of this for urban living, and how policy makers are responding to these changes. Implications for urban research, policy, and practice are highlighted through chapters which address forms of urban "sharing" across housing, transport, work, and food and wider processes of globalisation and neoliberalism as they disrupt cities and urban policy making. Disruptive Urbanism will be of great interest to scholars of urban planning, urban governance, the sharing economy, and housing studies. The chapters were originally published as a special issue of Urban Policy and Research.

Instruments of Planning: Tensions and Challenges for more Equitable and Sustainable Cities critically explores planning's instrumentality to deliver important social and environmental outcomes in neoliberal planning landscapes. Because each instrument is unique and may be tailored to its own jurisdictional needs, Instruments of Planning is a compendium of case studies from urban regions in Australia, Canada, the United States and Europe, providing readers with a collection that critically challenges the role and potential of planning instruments and instrumentality across a range of contexts. Instruments of Planning captures the political, institutional, and economic challenges that confront planning. It examines planning instruments designed to assist with strategic planning and implementation, and considers the role that technology plays in unpacking and understanding complexity in planning. Written by Rebecca Leshinsky and Crystal Legacy of RMIT University in Melbourne, Australia, this book fills the gap in planning theory about the instrumentality of planning in the neoliberal urban context. It is essential reading for students, urban researchers, policy analysts and planning practitioners.

Harvard's searing and sobering indictment of its own long-standing relationship with chattel slavery and anti-Black discrimination. In recent years, scholars have documented extensive relationships between American higher education and slavery. The Legacy of Slavery at Harvard adds Harvard University to the long list of institutions, in the North and the South, entangled with slavery and its aftermath. The report, written by leading researchers from across the university, reveals hard truths about Harvard's deep ties to Black and Indigenous bondage, scientific racism, segregation, and other forms of oppression. Between the university's founding in 1636 and 1783, when slavery officially ended in Massachusetts, Harvard leaders, faculty, and staff enslaved at least seventy people, some of whom worked on campus, where they cared for students, faculty, and university presidents. Harvard also benefited financially and reputationally from donations by slaveholders, slave traders, and others whose fortunes depended on human chattel. Later, Harvard professors and the graduates they trained were leaders in so-called race science and eugenics, which promoted disinvestment in Black lives through forced sterilization, residential segregation, and segregation and discrimination in education. No institution of Harvard's scale and longevity is a monolith. Harvard was also home to abolitionists and pioneering Black thinkers and activists such as W. E. B. Du Bois, Charles Hamilton Houston, and Eva Beatrice Dykes. In the late twentieth century, the university became a champion of racial diversity in education. Yet the past cannot help casting a long shadow on the present. Harvard's motto, Veritas, inscribed on gates, doorways, and sculptures all over campus, is an exhortation to pursue truth. The Legacy of Slavery at Harvard advances that necessary quest.

Building on a growing movement within developing countries in Latin America, Africa, and Asia-Pacific, as well as Europe and North America, this book documents cutting edge practice and builds theory around a rights based approach to women's safety in the context of poverty reduction and social inclusion. Drawing upon two decades of research and grassroots action on safer cities for women and everyone, this book is about the right to an inclusive city. The first part of the book describes the challenges that women face regarding access to essential services, housing security, liveability and mobility. The second part of the book critically examines programs, projects and ideas that are working to make cities safer. Building Inclusive Cities takes a cross-cultural learning perspective from action research occurring throughout the world and translates this research into theoretical conceptualizations to inform the literature on planning and urban management in both developing and developed countries. This book is intended to inspire both thought and action.

The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art and critical theory, and the work of contemporary artists who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.

Building on a growing movement within developing countries in Latin America, Africa, and Asia-Pacific, as well as Europe and North America, this book documents cutting edge practice and builds theory around a rights based approach to women's safety in the context of poverty reduction and social inclusion. Drawing upon two decades of research and grassroots action on safer cities for women and everyone, this book is about the right to an inclusive city. The first part of the book describes the challenges that women face regarding access to essential services, housing security, liveability and mobility. The second part of the book critically examines programs, projects and ideas that are working to make cities safer. Building Inclusive Cities takes a cross-cultural learning perspective from action research occurring throughout the world and translates this research into theoretical conceptualizations to inform the literature on planning and urban management in both developing and developed countries. This book is intended to inspire both thought and action.

Quilts and Human Rights offers a new understanding of the history of global human rights as seen through textiles of awareness and activism. Of all the textile forms linked to human rights activities, one form—the quilt—has proved an especially potent and popular form for individuals, working alone or as part of organized groups, to subversively or overtly act for human rights. Through a description of this activity over time and space, Quilts and Human Rights advances awareness of critical human rights issues: suffrage, race relations, civil wars, natural disasters, HIV/AIDs, and ethnic, sexual, and gender discrimination. Quilts and Human Rights pays tribute to the individuals who have used needle skills to prick the conscience and encourage action against human rights violations.    

A feminist-inflected investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar's multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar's research-driven and visually complex images constitute the hallmarks of contemporary post-Pictures Generation work-in which photography is pursued in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. Cwynar's work revolves around her interest in subjective notions of beauty through images; the fetishization of consumer objects and colors; and the exploration of the informal image archives that have emerged around the industrialization and capitalization of these ideas. As part of her core practice, Cwynar collects, arranges, and archives her eBay purchases and creates studio studies of these consumer objects, exploring how images circulate online and how the lives and purposes of both physical objects and their likenesses change over time. Sara Cwynar: Glass Life is a must-have sourcebook for understanding the multilayered practice of this celebrated, multidisciplinary artist.

“IN MANY LANGUAGES, ‘UNDERSTANDING’ ALSO COMES FROM THE IDEA OF PUTTING SOMETHING INSIDE YOUR BODY� – CAMILLE HENROT Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. Mother Tongue is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series System of Attachment, Wet Job, and Soon, created between 2018 and 2022. This recent body of work addresses the ambivalent nature of care and the tension between the simultaneous developmental need for attachment and independence, beginning at infancy and continuing throughout life. Her deeply personal and intimate interrogations ultimately relate to broader questions such as the expectations placed on mothers and the representation of the female body. This richly illustrated catalogue is accompanied by texts from Emily LaBarge, Legacy Russell, Marcus Steinweg, Hélene Cixous, Seamus Kealy, and a conversation with Camille Henrot and curator Julika Bosch.

Designed exclusively for use with The Practice of Statistics by Darren Starnes, Josh Tabor, David Moore and Daniel Yates, the Strive for a Five Guide helps students evaluate their understanding of the material covered in the textbook, develop conceptual understanding and communication skills, and ultimately prepare for success, equipping them with all the skills needed to excel on the AP (R) Statistics Exam. This book is divided into two sections. The first is a study guide to be used throughout the AP Statistics course, and the second includes preparation with additional AP (R) test strategies, including two full-length AP (R) style practice exams, each with 40 multiple-choice questions, 5 free response questions and finished with an investigative task. These features better enforce students' understanding of the subject.